~ Head of the Fire-Worshippers ~
From the "Appendix" of the book titled Two Babylons; By: Alexander Hislop
On Page 313 at Note N, p.228
Christian worshippers mark Easter's Holy Fire ceremony in Jerusalem and Bethlehem in the bottom picture and notice the two pictures above of the Pagan Goddess called "The Virgin" and the false Jesus from the Catholic Church with the fire over the heart which is the symbol of the fire-worshippers.
Note: Although I have studied into this subject I have not completely researched this subject so please use the information here for research purposes only.
(Web master of the Master's Table web site... Timothy M. Youngblood)
That Zoroaster was head of the fire-worshippers, the following, among other evidence, may prove. Not to mention that the name Zoroaster is almost a synonym for a fire-worshipper, "Plutarch acknowledges that Zoroaster among the Chaldeans instituted the Magi, in imitation of whom the Persians also had their (Magi). (Clericus, lib. i. De Chaldaeis, sect. i. cap. 2, vol. ii. p. 195)
The Arabian History also (edited by Erpenius) relates that Zaradussit, or Zerdusht, did not for the first time institute, but (only) reform the religion of the Persians and Magi, who had been divided into many sects." The testimony of Agathias is to the same effect. He gives it as his opinion that the worship of fire came from the Chaldeans to the Persians, lib. ii. cap. 25, pp. 118, 119. That the Magi among the Persians were the guardians of "the sacred and eternal fire" may be assumed from Curtius (lib. iii. cap.3, pp. 41, 42), who says that fire was carried before them "on silver altars; from the statement of Strabo (Geograph., lib. xv. p. 696), that "the Magi kept upon the altar a quantity of ashes and an immortal fire," and of Herodotus (lib. i. p. 63), that "without them, no sacrifice could be offered."
The fire-worship was an essential part of the system of the Persian Magi (WILSON, Parsee Religion, pp. 228-235). This fire-worship the Persian Magi did not pretend to have invented; but their popular story carried the origin of it up to the days of Hoshang, the father of Tahmurs, who founded Babylon (WILSON, pp. 202, 203, and 579)---i.e., the time of Nimrod. In confirmation of this, we have seen that a fragment of Apollodorus (Muller, 68) makes Ninus the head of the fire-worshippers. Layard, quoting this fragment, supposes Ninus to be different from Zoroaster (Nineveh and its Remains, vol. ii. p. 443, Note); but it can be proved, that though many others bore the name of Zoraster, the lines of evidence all converge, so as to demonstrate that Ninus and Nimrod and Zoroaster were one. The legends of Zoroaster show that he was known not only as a Magus, but as a Warrior (ARNOBIUS, lib. i. p. 327).
Plato says that Eros Armenius (whom CLERICUS, De Chaldaeis, states, vol. ii. p. 195, to have been the same as the fourth Zoroaster) died and rose again after ten days, having been killed battle; and that what he pretended to have learned in Hades, he communicated to men in his new life (PLATO, De Republica, lib x. vol. ii. p.614). We have seen the death of Nimrod, the original Zoroaster, was not that of a warrior slain in battle; but yet this legend of the warrior Zoroaster is entirely in favour of the supposition that the original Zoroaster, the original Head of the Magi, was not a priest merely, but a warrior-king. Everywhere are the Zoroastrians, or fire-worshippers, called Guebres or Gabrs. Now, Gen. x. 8 proves that Nimrod was the first of the "Gabrs."
As Zoroaster was head of the fire-worshippers, so Tammuz was evidently the same. We have seen evidence already that sufficiently proves the identity of Tammuz and Nimrod; but a few words may still more decisively prove it, and cast further light on the primitive fire-worship. 1. In the first place, Tammuz and Adonis are proved to be the same divinity. Jerome, who lived in Palestine when the rites of Tammuz were observed, up to the very time when he wrote, expressly identifies Tammuz and Adonis (vol. ii. p.353), in his Commentary on Ezekiel, viii. 14, where the Jewish women are represented as weeping for Tammuz; and the testimony of Jerome on this subject is universally admitted. Then the mode in which the rites of Tammuz or Adonis were celebrated in Syria was essentially the same as the rites of Osiris.
The statement of Lucian (De Dea Syria, vol. iii. p. 454) strikingly shows this, and Bunsen (vol. i. p. 443) distinctly admits it. The identity of Osiris and Nimrod has been largely proved in the body of this work. When, therefore, Tammuz or Adonis is identified with Osiris, the identification of Tammuz with Nimrod follows of course. And then this entirely agrees with the language of Bion, in his Lament for Adonis, where he represents Venus as going in a frenzy of grief, like a Bacchant, after the death of Adonis, through the woods and valleys, and"calling upon her Assyrian husband" (BION, Idyll, Id. i. v. 214, in Portae Minores Graeci, p. 304). It equally agrees with statement of Maimonides, that when Tammuz was put to death, the grand scene of weeping for that death was in the temple of Babylon(see ante, p. 62). 2. Now, if Tammuz was Nimrod, the examination of the meaning of the name confirms the connection of Nimrod with the first fire-worship.
After what has already been advanced, there needs no argument to show that, as the Chaldeans were the first who introduced the name and power or kings (SYNCELLUS, vol. i. p. 169), and as Nimrod was unquestionably the first of these kings, and the first, consequently, that bore the title of Moloch, or king, so it was in honour of him that the "children were made to pass through the fire" was undoubtedly to purify. The name Tammuz has evidently reference to this, for it signifies "to perfect," that is, "to purify by fire;" and if Nimrod was, as the Paschal Chronicle (vol. i. pp. 50, 51), and the general voice of antiquity, represent him to have been, the originator of fire-worship, this name very exactly expresses his character in that respect. It is evident, however, from the Zoroastrian verse, elsewhere quoted (ante, p. 245), that fire itself was worshipped as Tammuz, for it is called the "Father that perfected all things."
In one respect this represented fire as the Creative god; but in another, there can be no doubt that it had reference to the "perfection" of men by "purifying" them. And especially it perfected those whom it consumed. This was the very idea that, from time immemorial until very recently, led so many widows in India to immolate themselves on the funeral piles of their husbands, the woman who thus burned herself being counted blessed, because she became Suttee --i.e., "Pure by burning." And this also, no doubt, reconciled the parents who actually sacrificed their children to Moloch, to the cruel sacrifice, the belief being cherished that the fire that consumed them also "perfected" them, and made them meet for eternal happiness. As both the passing through the fire, and the burning in the fire, were essential rites in the worship of Moloch or Nimrod, this is an argument that Nimrod was Tammuz. As the priest and representative of the perfection or purifying by fire, and so he was called by its name.
When we turn to the legends of India, we find evidence to the very same effect as that which we have seen with regard to Zoroaster and Tammuz as head of the fire-worshippers. The fifth head of Brahma, that was cut off for inflicting distress on the three worlds, by "effulgence of its dazzling beams, " referred to in the text of this work, identifies itself with Nimrod. The fact that that the fifth head was represented as having read the Vedas, or sacred books produced by the other four heads, shows, I think, a succession. Now, coming down from Noah, what would that succession be? We have evidence from Berosus, that, in the days of Belus--that is, Nimrod--the custom of making representations like that of two-headed Janus, had begun.
Assume, then, that Noah, as having lived in two worlds, has his two heads. Ham is the third, Cush the forth, and Nimrod is, of course, the fifth. And this fifth head was cut off for doing the very thing for which Nimrod actually was cut off. I suspect that this Indian myth is the key to open up the meaning of a statement of Plutarch, which, according to the terms of it, as it stands, is visibly absurd. It is as follows: Plutarch (in the forth book of his Symposiaca, Quaest. 5, vol. ii. p. 570, B) says that "the Egyptians were of the opinion that darkness was prior to light, and that the latter [viz., light] was produced from mice, in the fifth generation, at the time of the new moon." In India, we find that "a new moon" was produced in a different sense from the ordinary meaning of that term, and that the production of that new moon was not only important in Indian mythology, but evidently agreed in time with the period when the fifth head of Brahma scorched the world with its insufferable splendour.
The account of its production runs thus: that the gods and mankind were entirely discontented with the moon "because it gave no light," and besides the plants were poor and the fruits of no use, and that therefore they churned the White sea [or, as it is commonly expressed, "they churned the ocean"], when all things were mingled--i.e., were thrown into confusion, and that then a new moon, with a new regent, was appointed, which brought in an entirely new system of things (Asiatic Researches, vol. ix. p. 98).
From MAURICE'S Indian Antiquities (vol. ii. sect. 6, pp. 264-266), we learn that at this very time of the churning of the ocean, the earth was set on fire, and a great conflagration was the result. But the name of the moon in India is Soma, or Som (for the final a is only a breathing, and the word is found in the name of the famous temple of Somnaut, which name signifies "Lord of the Moon"), and the moon in India is male. As this transaction is symbolical, the question naturally arises, who could be meant by the moon, or regent of the moon, who was cast off in the fifth generation of the world? The name Some shows at once who he must have been. Some is just the name of Shem; for Shem's name comes from Shom, "to appoint," and is legitimately represented either by the name Som, or Sem, as it is in Greek; and it was precisely to get rid of Shem (either after his father's death, or when the infirmities of old age were coming upon him) as the great instructor of the world, that is, as the great diffuser of spiritual light, that in the fifth generation the world was thrown into confusion and the earth set on fire.
The propriety of Shem's being compared to the moon will appear if we consider the way in which his father Noah was evidently symbolised. The head of a family is divinely compared to the sun, as in the dream of Joseph (Genesis xxxvii.9), and it may be easily conceived how Noah would, by his posterity in general, be looked up to as occupying the paramount place as the Sun of the world; and accordingly Bryant, Davies, Faber, and others, have agreed in recognising Noah as so symbolised by Paganism. When, however, his younger son--for Shem was younger than Japhet--(Genesis x. 21) was substituted for his father, to whom the world had looked up in comparison of the "greater light," Shem would naturally, especially by those who disliked him and rebelled against him, be compared to "the lesser light," or the moon.
Now, the production of light by mice at this period, comes in exactly to confirm this deduction. A mouse in Chaldee is "Aakbar"; and Gheber, or Kheber, in Arabic, Turkish, and some of the other eastern dialects, becomes "Akbar," as in the well-known Moslem saying, "Allar Akbar," "God is Great." So that the whole statement of Plutarch, when stripped of its nonsensical garb, just amounts to this, that light was produced by the nonsensical garb, just amounts to this, that light was produced by the Guebres or fire-worshippers, when Nimrod was set up in opposition to Shem, as the representative of Noah, and the great enlightener of the world. 2bab050.htm
NOTE O, p. 230. The Story of Phaethon.
The identity of Phaethon and Nimrod has much to support it besides the prima facie evidence arising from the statement that Phaethon was an Ethiopian or Cushite, and the resemblance of his fate, in being cast down from heaven while driving the chariot of the sun, as "the child of the Sun," to the casting down of Molk Gheber, whose very name, as the god of fire, identifies him with Nimrod. 1. Phaethon is said by Apollodorus (vol. i. p. 354) to have been the son of Tithonus; but if the meaning of the name Tithonus be examined, it will be evident that he was Tithonus himself. Tithonus was the husband of Aurora (DYMOCK, sub voce).
In the physical sense, as we have already seen, Aur-ora signifies "The awakener of the light;" to correspond with this Tithonus signifies "The kindler of light," or "setter on fire." * Now "Phaethon, the son of Tithonus," is in Chaldee "Phaethon Bar Tithon." But this also signifies "Phaethon, the son that set on fire." Assuming, then, the identity of Phaethon and Tithonus, this goes far to identify Phaethon with Nimrod; for Homer, as we have seen (Odyssey, lib. v. 1. 121, p. 127), mentions the marriage of Aurora with Orion, the mighty Hunter, whose identity with Nimrod is established. Then the name of the celebrated son that sprang from the union between Aurora and Tithonus, sows that Tithonus, in his original character, must have been indeed the same as "the mighty hunter" of Scripture, for the name of that son was Memnon (MARTIAL, lib. viii., s. 21, p. 550, and OVID, Metam. lib. xiii. 1. 517, vol. ii. p. 467), which signifies "The son of the spotted one," thereby identifying the father with Nimrod, whose emblem was the spotted leopard's skin.
As Ninus or Nimrod, was worshipped as the son of his own wife, and that wife Aurora, the goddess of the dawn, we see how exact is the reference to Phaethon, when Isaiah, speaking of the King of Babylon, who was his representative, says, "How art thou fallen from heaven, O Lucifer, son of the morning" (Isa. xiv. 12). The marriage of Orion with Aurora; in other words, his setting up as "The kindler of light," or becoming the "author of fire-worship," is said by Homer to have been the cause of his death, he having in consequence perished under the wrath of the gods (Odyss. lib. v. 1. 124, p. 127). 2.
That Phaethon was currently represented as the son of Aurora, the common story, as related by Ovid, sufficiently proves. While Phaethon claimed to be the son of Phoebus, or the sun, he was reproached with being only the son of Merops--i.e., of the mortal husband of his mother Clymene (OVID, Metam. lib. ii. ll. 179-184, and Note). The story implies that that mother gave herself out to be Aurora, not in the physical sense of that term, but in its mystical sense; as "The woman pregnant with light;" and, consequently, her son was held up as the great "Light-bringer" who was to enlighten the world,--"Lucifer, the son of the morning," who was the pretended enlightener of the souls of men. The name Lucifer, in Isaiah, is the very word from which Eleleus, one of the names of Bacchus, evidently comes. It comes from "Helel," which signifies "to irradiate" or "to bring light," and is equivalent to the name Tithon. Now we have evidence that Lucifer, the son of Aurora, or the morning, was worshipped in the very same character as Nimrod, when he appeared in his new character as a little child; for there is an inscription extant in these words:- "Bono Deo
Puero Phosphoro." (See WILKINSON, vol. iv. p. 410.)
This Phaethon, or Lucifer, who was cast down is further proved to be Janus; for Janus is called "Pater Matutinus" (HORACE, Sat. ii. 6, 20, p. 674; and the meaning of this name will appear in one of its aspects when the meaning of the name of the Dea Matuta is ascertained. Dea Matuta signifies "The kindling or Light-bringing goddess," and accordingly, by Priscian, she is identified with Aurora: "Matuta, quoe significat Aurorame" (PRISCIAN, ii. p. 591, apud Sir WILLIAM BETHAM'S Etruria, vol. ii. p. 53). Matutinus is evidently just the correlate of Matuta, goddess of the morning; Janus, therefore, as Matutinus, is "Lucifer, son of the morning." But further, Matuta is identified with Ino, after she had plunged into the sea, and had, along with her son Melikerta, been changed into a sea-divinity (Gradus ad Parnassum, sub voce "Ino"). Consequently her son Melikerta, "king of the walled city," is the same as Janus Matutinus, or Lucifer, Phaethon, or Nimrod.
There is still another link by which Melikerta, the sea-divinity, or Janus Matutinus, is identified with the primitive god of the fire-worshippers. The most common name of Ino, or Matuta, after she had passed through the waters, was Leukothoe (OVID, Metam. lib. vi. ll. 541, 542). Now, Leukothoe or Leukothea has a double meaning, as it is derived either form "Lukhoth," which signifies "to light," or "set on fire," or from Lukoth "to glean." In the Maltese medal given (ante, p. 160), the reader will see both of these senses exemplified.
The ear of corn, at the side of the goddess, which is more commonly held in her hand, while really referring in its hidden meaning to her being the Mother of Bar, "the son," to the uninitiated exhibits her as Spicilega, or "The Gleaner,"--"the popular name," says Hyde (De Religione, Vet. Pers., p. 392), "for the female with the ear of wheat represented in the constellation Virgo." In Bryant (vol. iii. p. 245), Cybele is represented with two or three ears of corn in her hand; for, as there were three peculiarly distinguished Bacchuses, there were consequently as many "Bars," and she might therefore be represented with one, two, or three ears in her hand. But to revert to the Maltese medal just referred to, the flames coming out of the head of Lukothea, the "Gleaner," show that, though she has passed through the waters, she is still Lukhothea, "the Burner," or "Light-giver."
And the rays around the mitre of the god on the reverse entirely agree with the character of that god as Eleleus, or Phaethon--in other words, as "The Shining Bar." Now, this "Shining Bar," as Melikerta, "king of the walled city," occupies the very place of "Ala-Mahozim," whose representative the Poe is elsewhere (ante, p. 252) proved to be. But he is equally the Sea-divinity, who in that capacity wears the mitre of Dagon (compare woodcuts at "Dagon" where different forms of the same Maltese divinity are given). The fish head mitre which the Pope wears shows that, in this character also, as the "Beast from the sea," he is the unquestionable representative of Melikerta.
Like the symbol at the far left some Christian religions use this symbol as their way of showing their mind set that is fire worship. The egg is not only the pagan worship of the fertility god but this one is painted just for the Christian fire worship group. The third photo is a man much like the false Jesus worshipping fire. The reason candles are used is because of the Pagan fire worshippers. Symbols have meaning and we need to heed them and beware lest we are caught up in pagan worship.
I hope this information has help you understand more about the pagan gods that are injected into the Christian religion and given you greater knowledge about "Zoroaster" as head of the fire-worshippers and note that this is also tied in with "Tammuz" that also is where the pagan cross worship originated. As stated at the top this information is from the "Appendix" of the book titled Two Babylon’s By: Alexander Hislop. On Page 313 at Note N, p.228. When you click on this link titled "Dagon" you can continue this study as you will see more concerning the fact that pagan gods have been inserted into the religion going under the name Christian.
For more factual information on this subject click here ... Is Easter Christian?
Timothy M. Youngblood